Gaby Moreno with Vanessa Zamora

Gaby Moreno with Vanessa Zamora

Levitt Pavilion Denver (map)

FIRSTBANK LATIN CONCERT SERIES BROUGHT TO YOU BY 95.7 THE PARTY PRESENTS

GABY MORENO
WITH
VANESSA ZAMORA
 

Since moving to Los Angeles from her native Guatemala, singer-songwriter Gaby Moreno has achieved remarkable success as a musician. She has been nominated for an Emmy and won a Latin Grammy for Best New Artist. She has released four albums, toured with singers Tracy Chapman, Ani DiFranco, Punch Brothers, Hugh Laurie and Calexico, and has shared the international stage with pop music luminaries such as Bono, Andrea Boccelli and Van Dyke Parks.

In 2006, her song, “Escondidos,” took the top prize in the John Lennon Songwriting Contest, the first contestant in the Latin category to win Song of the Year. (She’s now a judge.) That opened many more doors.  Her first album, “Still the Unknown” , produced independently was released in 2008.

Moreno’s career started moving quickly. She co-wrote the theme song of the television series "Parks and Recreation," which was nominated for an Emmy in 2010. That same year, she recorded the classic song “Smile,” by Charlie Chaplin, for the Oscar-winning documentary “The Cove.”  And she performed “Toast to Freedom,” a song commemorating the 50th anniversary of Amnesty International, first with Kris Kristofferson on The Tonight Show with Jay Leno, then in Dublin where she shared the stage with Angelique Kidjo and Bono. 

She released her second album, “Illustrated Songs” in 2011, followed by “Postales.” in 2012,  her first release entirely in Spanish and with Metamorfosis, the label founded by her compatriot Ricardo Arjona, one of Latin America’s most prominent singer-songwriters. . That year, Moreno and Arjona released a duet, “Fuiste Tu,” which was nominated for Song of the Year and Record of the Year in the 13th Annual Latin Grammy Awards. 

By the time Moreno was named Best New Artist in the 14th annual Latin Grammy Awards of 2013, the “newcomer” had already almost spent half her life in the music business. 

When it came time to record her latest album, “Ilusión” (due for release September 9th), Moreno decided it was time to harken back to beginnings. Musically, the new album captures the pure spirit of the aspiring immigrant artist who made her way in a new country with just her guitar, her gifted voice, and a pocketful of songs she was eager to share.

“I wanted the record to sound as authentic and as close as possible to what the band sounds live,” she says, referring to her longtime collaborators. “I said, ‘Okay, let’s go back to the sound when I put out my first album, when it was just a few musicians in a room together, and it was about having fun and capturing performances. I wanted something human. I'm not a robot. I wanted to embrace the imperfections. That’s human. Maybe in the moment, I'm feeling something that's making my voice break. It's raw emotion. I wanted to keep that."

And she succeeded. The new collection of 13 songs, most of which she wrote or co-wrote, reflect the organic mixture of her wide array of influences, from the blues to boleros. The record’s natural sound reflects the analog philosophy of producer Gabe Roth, co-founder of Brooklyn-based Daptone Records, the independent label specializing in what it calls the “New Sound of Old Soul.” 

That’s a slogan that happens to suit the singer to a tee.

“I don’t want to sound like an old record, but there’s something about those old records that I love, especially that warm sound,” says Moreno. “This is why I wanted to go into the studio for this new record with Gabe Roth. Because of his minimalist approach. He doesn't use any computers, it’s all his ears. We did it all to tape, using these beautiful old vintage microphones, and playing all together in the same room. So you don’t have the luxury of doing 20 takes for every song. We do three takes and choose the best one out of the three. It was kind of nerve-racking... but it sounds so real.”

The album includes separate Spanish and English versions of the first single, “Se Apagó/Love Is Gone,” a song of heartbreak with a twangy guitar, a bright brass section and a feel of Southern soul. Nashville-based R&B singer Jonny P joins her on their English duet, a couple’s dialog. 

Moreno’s uplifting, hymn-like “Fronteras,” which means borders, reveals a theme of hope in the midst of darkness. In a time of persecution of immigrants, the song extends a hand of camaraderie for those who leave everything behind to pursue their dreams. The bilingual refrain captures the essence of “Ilusión” and the composer’s confident, mature state of mind when she created it: “And I laugh and dance. It’s in my blood. And I dream free. This is where I belong.”

 

VANESSA ZAMORA

Vanessa Zamora’s emotive vocals coupled with her personal lyrical style has captivated audiences in her native Mexico.

Only in her early 20’s the Tijuana, Baja California native has already created the aura of an artist who has been around for quite some time.  She’s quickly positioned herself as a steadfast interpreter of alternative pop who has two feet firmly planted in the Indie DIY world.

Vanessa’s debut album "Hasta La Fantasia"  Released on Cosmica Records—has created a buzz amongst key tastemakers.  For this project Zamora teamed up with Alejandro Jimenez (also known as recording artist “Jandro” and producer/engineer for Carla Morrison) to create a fresh, relevant yet melancholic record. Songs such as “Correr” (Run), and “Te Quiero Olvidar” (I Want To Forget You) reel you in with a distinctive voice and stirring tones that go beyond the acoustic guitar vibes. The lyrics possess a candid realness that makes you feel as Vanessa is singing about you, the listener.  “Hasta La Fantasia” ushers you into her fantastical world of love, hope, despair and the universal desire to be loved and love back hard.

Vanessa was recently nominated for multiple IMA’s (Indie Music Awards)in Mexico, and has created a touring circuit for her in Mexico which has garnered more and more attention for the talented singer-songwriter.

Zamora has recently shared the center stage with the likes of: Natalia LaFourcade, Ceci Bastida, La Santa Cecilia, and Ely Guerra.  Vanessa will be returning to the U.S. this spring to perform at SXSW, Albuquerque’s National Hispanic Cultural Institute Latin Diva’s Series, El Paso and more.

Vanessa has now completed her new record set for a mid October 2017 release. Her first single “HBLS MUCHO” is slated for a June 23rd release date. Recorded in both Mexico City and the legendary Sonic Ranch just east of El Paso, Zamora is once again poised to realize further her status as one of Mexico’s freshest voices near the border.  

 

Mariachi Sol de Mi Tierra with Fiesta Colorado Dance Company

Mariachi Sol de Mi Tierra with Fiesta Colorado Dance Company

Levitt Pavilion Denver (map)

FIRSTBANK LATIN CONCERT SERIES BROUGHT TO YOU BY 95.7 THE PARTY PRESENTS

MARIACHI SOL DE MI TIERRA
WITH
FIESTA COLORADO DANCE COMPANY

Mariachi Sol De Mi Tierra was formed with the idea to show people something fresh and unique from the already existing musical groups in Denver, CO. On Aug 6, 1999, four young music enthusiasts, Oscar Vaca, Jesus Ramirez, Raul Romero, and Vicente Romero, gave complete trust and hope to the leader of the group, Juventino Romero. With a lot of determination, practice and hard work, they decided to plan an exciting musical adventure. Throughout the years, more musicians joined, which lead to the eight musicians who are a part of the group today.

Mariachi Sol De Mi Tierra enjoys a prestige that they have gained over the years. In the past 12 years, they have been a part of various events associated with the National Western Stock Show. For the past 9 years, they have shared the stage with the Colorado Symphony in the festivities for Cinco de Mayo at Boettcher Concert Hall. The group has also performed with some great Mexican singers in Denver. With a firm belief to keep demonstrating a beautiful part of the Mexican culture, Mariachi Sol De Mi Tierra is now more and better than ever, offering to their audience dedication, love, and passion for their music.

 

FIESTA COLORADO DANCE COMPANY

Fiesta Colorado Dance Company is the premier Hispanic Dance Company in Colorado. It has presented the highest quality performances of Mexican Folkloric, Flamenco and Spanish Classical Dance shown in Colorado for over 30 years. The Founder and Artistic Director is Jeanette Trujillo-Lucero.

Fiesta Colorado Dance Company is a non-profit organization with a mission to present and preserve the Hispanic dance arts. Since its inception, every performance with its magnetic energy and vivacious choreography has been a demonstration of how these dances embody the richest artistic manifestations of culture and tradition.

Fiesta Colorado Dance Company is the proud recipient of the 2006 Mayor’s Award for Excellence in the Arts, the highest award given to an arts organization in the City of Denver.

Jeanette Trujillo-Lucero was also a recipient as an individual of Mayor’s Award For Excellence in the Arts in 1997 for her contributions to the Hispanic arts in Denver.

KARL DENSON'S TINY UNIVERSE

KARL DENSON'S TINY UNIVERSE

Levitt Pavilion Denver (map)

LEVITT FREE CONCERT SERIES BROUGHT TO YOU BY 97.3 KBCO PRESENTS

KARL DENSON'S TINY UNIVERSE


Karl Denson’s Tiny Universe concert follows the Levitt Pavilion Beer Festival on August 26. This event is all ages and is open to the public and beer festival attendees. 

Doors at 7:00PM | Show at 7:30PM

Karl Denson’s Tiny Universe is back in action with a run of shows giving fans what is highly regarded as one of the best live bands on the planet. Karl, who now serves as the saxophonist in The Rolling Stones, tours the world performing to record crowds from South America to New Zealand. With KDTU, he’ll be showcasing material from his forthcoming studio album, due in 2017, as well as previous acclaimed KDTU recordings like 'New Ammo' and ’The Bridge.' The current KDTU touring lineup is comprised of Richmond guitarist DJ Williams, Snarky Puppy drummer Robert “Sput” Searight, The Greyboy Allstars’ bassist Chris Stillwell, Crush Effects’ keyboardist David Veith, Seattle trumpeter Chris Littlefield and ace slide and lap steel guitarist Seth Freeman.

 

New Breed Brass Band with Denver Municipal Band

New Breed Brass Band with Denver Municipal Band

Levitt Pavilion Denver (map)

LEVITT FREE CONCERT SERIES BROUGHT TO YOU BY 95.7 THE PARTY PRESENTS

NEW BREED BRASS BAND
WITH
DENVER MUNICIPAL BAND

New Breed Brass Band lives and breathes the culture of New Orleans, infusing funk, rock, jazz, and hip-hop into a custom-made enhancement of second-line brass band tradition.

“That’s what we came up under,” says snare-drummer Jenard Andrews of second line bands like the ReBirth, Dirty Dozen and Lil’ Rascals Brass Bands. “Now we’re trying to take that sound and bring in some new stuff and expand it. We bring outside influences like Earth Wind & Fire and Brass Construction, trying to interpret a different song for every genre, and make it all our own sound.”

With a founding core of five New Orleans natives, New Breed Brass Band made its street debut as a nine-man unit in November 2013 at the Nine Times Second Line. Since then, they have showcased their originality opening for such diverse bands as The Fray, Red Baraat, Dr. John, The Waterboys, and Trombone Shorty & Orleans Avenue, as well as competing in the Red Bull Street Kings brass band competition in 2013.

Most of the members have been playing music since they were toddlers and count such New Orleans legends as James “12” Andrews, Troy “Trombone Shorty” Andrews, Topsy Chapman, Karl Leblanc, and Bruce “Sun-pie” Barnes as family members. Honing their childhood experiences playing music with their families, and on through high school marching bands and concert ensembles, the nine members of New Breed are united to one cause: rocking each show and entertaining audiences to the maximum degree possible. The band’s strong desire is to be the next heavyweight contender among internationally-known New Orleans brass bands.

Whether performing in their hometown or on the road, New Breed will forever bring the vibe of the New Orleans second- line with them. “We can’t wait,” Andrews says of bringing the New Breed sound to stages and festivals around the world. “It’s a new breed of music that we’ll be bringing to our culture, and we hope to create a new sound for our city in the process.” 

 

DENVER MUNICIPAL BAND

The Denver Municipal Jazz Band has served up hot swing and cool blues to the people of Denver for the past 45 years.  The Band will be performing nine concerts this summer in various Denver Parks.  An exciting pairing this summer has the Denver Municipal Jazz Band and the New Breed Brass Band from New Orleans performing at the same concert at the Levitt Pavilion in Ruby Hill Park.

The band has featured Denver jazz legends such as Charlie Burrell, Ron Miles, Hugh Ragin and Adolph Mares. The Band is directed by Dan Leavitt.  Members have performed with top performers and groups such as Diane Reeves, Dave Brubeck, Kneebody, Phil Woods, and Eartha Kitt.

The Denver Muicipal Jazz Band is an all-star band of made up of Colorado's finest musicians. We feature the vocal talents of Jan Mares singing swing music from the golden age of jazz. 

Ripe with Chris Daniels & the Kings with Freddi Gowdy

Ripe with Chris Daniels & the Kings with Freddi Gowdy

Levitt Pavilion Denver (map)

LEVITT FREE CONCERT SERIES BROUGHT TO YOU BY 95.7 THE PARTY PRESENTS

RIPE
WITH
CHRIS DANIELS & THE KINGS
WITH
FREDDI GOWDY

Ripe is a Funk/Pop band out of Boston, MA that was born as a result of its seven members' uniting over one belief: with enough passion and honesty, music can still make the earth shake. With one eye looking back to the inceptio. Ripe is a Funk/Pop band out of Boston, MA that was born as a result of its seven members' uniting over one belief: with enough passion and honesty, music can still make the earth shake. With one eye looking back to the inception of both funk and psychedelic music, and the other looking forward with a modern concept of what makes people move, Ripe seeks both to honor musical history as well as to make it. The perfect fruit is equal parts past and present, and this is the approach of the Ripe sound.

With a strong devotion to consistently creating an unforgettable live experience, Ripe has kept the groove going touring nationally from coast to coast. With a recently released sophomore EP, Hey Hello, and plans to start recording a full-length album in the coming year, Ripe is shifting into overdrive with every intention of taking this to the stratosphere. The Ripe family asks you to get loose, get down, and get ready. The party is just getting started.n of both funk and psychedelic music, and the other looking forward with a modern concept of what makes people move, Ripe seeks both to honor musical history as well as to make it. The perfect fruit is equal parts past and present, and this is the approach of the Ripe sound.

With a strong devotion to consistently creating an unforgettable live experience, Ripe has kept the groove going touring nationally from coast to coast. With a recently released sophomore EP, Hey Hello, and plans to start recording a full-length album in the coming year, Ripe is shifting into overdrive with every intention of taking this to the stratosphere. The Ripe family asks you to get loose, get down, and get ready. The party is just getting started.

 

CHRIS DANIELS & THE KINGS WITH FREDDI GOWDY

Chris Daniels & the Kings (and now with Freddi) do more than 120 dates per year touring over two continents and have been invited to appear in such diverse places as The Down Home Blues Festival in South Carolina, The Bob Hope Chrysler Desert Classic, The Curacao Swing Festival (South America), and all over Europe. Chris has appeared with the B.B. King, Uncle Cracker, Blues Traveler, The Neville Brothers, Delbert McClinton, Sister Hazel, Sheryl Crow, Robert Cray, Taj Mahal, Al Kooper, Bonnie Raitt, Ziggy Marley, The Fixx, to name only a few. They are headliners on international festivals, like Ribs & Blues Festival with their buddies THE B-MASTERS, at Marktrock, Berchem Blues, and the Lokeren festivals in Belgium, and the Kings have toured as the back up band for Sonny Landreth, David Bromberg, Al Kooper, Bo Diddly, Francine Reed and Dutch guitarist Jan Rijbroek in places like Paris and Amsterdam, and for Bonnie Raitt, members of Little Feat, and Was Not Was at the Roxey in LA to name only a few of the shows. Die hard fans from Italy to Holland rocked with this remarkable artist who has appeared on HDnet all High definition TV, VH-1, TNN, Much Music/Canada, NIppon TV/Japan, Crooked River Grove, KUSA, and on Onhe Filter, AVRO, KAVRO, Paris MTV, and Brussles 1, in Europe, and on Swing TV in Buenos Ares, Argentina.

Inspector with iZCALLi

Inspector with iZCALLi

Levitt Pavilion Denver (map)

FIRSTBANK LATIN CONCERT SERIES BROUGHT TO YOU BY 95.7 THE PARTY PRESENTS

INSPECTOR
WITH
iZCALLi

The band Inspector (from Monterrey, Nuevo Leon) fuses classic Jamaican rhythms with the feel of Mexican pop.

Their style is a blend of ska, reggae, nostalgia for the 1960s rock-n-roll and the great romantic groups of the 1970s, in addition a romantic style of their own. They are part of the musical movement called the Avanzada Regia.

 

iZCALLi

iZCALLi makes the kind of music you leave home to: melancholy folk phrases lashed to driving beats that pin the pedal to the floor — that molotov of nostalgia and exhilaration, the immigrant song. It’s a feeling iZCALLi — named for the Mexican birthplace of member-siblings Miguel (lead guitar/vocals) and Brenda Avina (bass) and the Nahuatl word for rebirth — knows well. Born on both sides of the border (drummer Luiggy Ramirez hails from Colorado) and formed in the Denver over ten years ago, iZCALLi has, over the course of three LPs and hundreds of shows, swigged its evolving sound from both wells of tradition, from Latin-tinged echoes to punching rock to filthy blues, in English and in Español. The result is a loyal flock of fans of every color, from every background, rich or poor. The result is RETI=Rock En Tu Idioma, a community for making rock n roll, the music of the melting pot, which is deeply American and knows no frontiers. This is iZCALLi’s appeal: the kind of music that makes you leave home and return, exhilarating live shows that celebrate tradition and kin, that unite what you find with what you left behind, and open the heart, so you know you are home.

Chali 2na of Jurassic 5 with Reason the Citizen and Povi

Chali 2na of Jurassic 5 with Reason the Citizen and Povi

Levitt Pavilion Denver (map)

LEVITT FREE CONCERT SERIES BROUGHT TO YOU BY 95.7 THE PARTY PRESENTS

CHALI 2NA OF JURASSIC 5
WITH
REASON THE CITIZEN
AND
POVI

Charles Stewart (born June 26, 1971, in Chicago, Illinois), better known as Chali 2na, is an American rapper and hip hop artist, associated with the groups Jurassic 5 and Ozomatli.

 

REASON THE CITIZEN

Reason the Citizen is an American hip-hop artist based in Denver, CO. Born and raised in southern California, his musical style was heavily influenced by the cultural landscape of his hometown, Oceanside, in the late 90's and early 2000's. The San Diego hip-hop environment, specifically the North County independent scene, significantly shaped his musical foundation, citing emcees like Blame One as early influences. A sharp and linguistically skilled performer, his live set has been critically acclaimed and he has shared the stage with a number of notable hip-hop acts.

His 2006 debut album, Survival Plus, is widely considered an underground classic among early "internet hip-hop" releases. Although still a young and relatively inexperienced emcee at this time, the independent effort gained him local credibility and resulted in dozens of live performances throughout California and the southwestern US. Thematically, it tackled the up and coming rappers difficulties with adapting to a quickly changing environment, spoken truthfully over sample-heavy production. Survival Plus is the definitive starting point of a promising emcee's career.

Broke For Free, his 2009 sophomore album, quickly became a fan favorite and landed Reason the Citizen on Denver based hip hop collective Fameless Entertainment. The duality of witty self realization and somber self deprecation throughout the album deals with themes that range from disastrous tour experiences, to balancing a professional identity with a growing family. Its success lead Reason the Citizen to performance opportunities at SXSW, X-Games, and opening spots for acts like Macklemore, Ghostface Killah, and Raekwon. 

In 2011, shortly after releasing World Hunger Volume One, a 19 track free mixtape, Reason the Citizen teamed up with San Diego rapper Ch@ng3 to develop a unique live performance that blended live hip-hop with outlandishly off-kilter vaudevillian style stage antics. Unofficially dubbed The Greatest Shit Show On Earth, their live set routinely featured burlesque dancers and unruly food fights, which earned the duo a loyal San Diego fanbase. They would go on to share the stage with artists like Mac Miller, Dizzy Wright, Action Bronson, Wax, and Chief Keef.

Not long after moving to Denver in 2013, Reason the Citizen released a 6 track mixtape entitled The Adventure Continues. It featured the song Unlikely, which would eventually become the up and coming emcee's debut music video produced by The Other Guys Films. Since his relocation, Reason the Citizen, along with his dj and regular collaborator Almighty IZ, have been regular live performers at the legendary Denver hip-hop venue Cervantes Masterpiece Ballroom, and have landed performances with the likes of Nas, MGK, Curren$y, Grouch & Eligh, Grieves and more.

Reason the Citizen is set to release his 3rd studio album, Finding Success Through Failure in 2016. It features production from UK super producer Handbook, notable for his uncanny style as well as his contributions to Rootnote Collective, a worldwide group of diverse and unique musicians. FSTF focuses heavily on the repercussions of failure, and reveals its necessity in a creatively hazardous environment. Ranging in intensity, it stands out as a testament to the ever improving emcee's ability to combine razor sharp double-time, with thought provoking perspective and insight.

 

 

POVI

Meet the Colorado native soul-pop singer POVi. Her motivation lays in her love of soul music and her genuine desire to uplift whoever is listening, whether it be on the sidewalks of Los Angeles or the basements in New York. Her music spreads where ever it is needed while being playful but honest lyrics about her own personal experiences.

POVi's style is a blend of old soul and pop which she enhances with her authentic vocals and all girl squad. The idea of loving yourself and those around you is a theme POVi constantly revisits. She wants her fans to know that no one has to fit into a mold they were not made for, hoping they leave the show feeling proud to love themselves.

Cumbia Festival featuring La Tropa Vallenata, Tropical Kaoba, Los Chavos Dun Dun and special guests

Cumbia Festival featuring La Tropa Vallenata, Tropical Kaoba, Los Chavos Dun Dun and special guests

Levitt Pavilion Denver (map)

FIRSTBANK LATIN CONCERT SERIES BROUGHT TO YOU BY 95.7 THE PARTY PRESENTS

CUMBIA FESTIVAL
FEATURING LA TROPA VALLENATA, TROPICAL KAOBA, LOS CHAVOS DUN DUN AND SPECIAL GUESTS

La Tropa Vallenata is a grouping of the vallenato genus. Founded in Mexico initially for 1984 by Alfonso Rios and conformed by Alonso Ibarra, Elias Moreno, Javier Miranda, Jose De Jesus Silva, Arnulfo Elizondo, Jorge Zavala, Manuel Silva, José Luis Elizondo, Fernando Nuñez.

 

TROPICAL KAOBA

This young talent organization was originally founded as TROPICAL KAOBA in 2000 in the city of Denver, USA by Gustavo Nava who was the main founder supported by Oscar Mendoza, Juan Islands all coming from Iztapalapa on the CD from Mexico. It is noteworthy that they were members of a group with a great trajectory in Mexico and the USA in the late 80's and 90's but decided to try their luck in the American Union and this is how, based on a lot of effort and sacrifice began this organization. Later they invited six young people with a lot of talent to be able to give the authentic sound to tropical music. This is how this group has formed that has managed to reach the taste of people and has been placed as a favorite of the music guapachoza.

LOS CHAVOS DUN DUN

The dun dun boys of the region lagunera mexico the group was formed in the year 2001 radican in denver co usa. Are 8 elements in the majority of the lagunera region. 

 

 

 

 

Pandas & People with Chimney Choir

Pandas & People with Chimney Choir

Levitt Pavilion Denver (map)

 BONFILS BLOOD CENTER COLORADO CONCERT SERIES BROUGHT TO YOU BY 93.3 DENVER'S MODERN ROCK PRESENTS

PANDAS & PEOPLE
WITH CO-HEADLINER
CHIMNEY CHOIR

Pandas & People may call Colorado home, but the music transcends geological borders. Since the band’s inception, founding member Joshua Scheer has carried the torch, attracting the attention of famed artists, diehard fans, and national radio, all in a matter of a couple years. With a unique sound blending traditional folk and hook laden songwriting, P&P’s recorded material continues to become more eclectic with each release. 

Their latest single, “Find You,” showcases a new venture into the alternative rock realm, crafting an earnest and personal blend of sound, with gripping melodies, moving lyrics and edgy rhythms sections, or as 9 News in Denver describes it, “music that actually makes you smile….and dance with your iPhone as if you’re starring in an Apple commercial”. Currently working with Warner/Chappell producer and songwriter, Zac Maloy, the excitement is building for their debut album release set for the fall of 2017. 

The group’s blend of indie pop and folk bridges the subtle gap between energy and introspection, with lyrics that are warm, uplifting and joyful, yet personal and insightful. Pandas & People debuted in late 2013 with their single “On My Way”, and went on to play shows frequently, including opening for well-known acts like Twenty One Pilots, The Doobie Brothers, The Oh Hellos and more. The band also received several accolades, including being named “Best New Artist” by the The Colorado Sound, “Best Folk Band in Colorado” by Westword Magazine in 2016 and have placed in the top 3 for 93.3 KTCL’s renowned competition “Hometown for the Holidays” in two of the past three years. With singles “On My Way” and “Find You” hitting the top 10 in the Denver Metro Shazam charts, they’ve also found their way to regular airplay from iHeart Radio stations in both Colorado and New Jersey.

The live band is accompanied by Conrad Marshall, Tucker Ewing, Dave Brown and Adam Haag, bringing an energetic and moving live performance to the stage, urging their audience to experience “the moments in between”. As a whole, the band continues to thrive not only in the Colorado music scene, but all over the country, with fans latching on to that unique energetic folk music with a twist.

 

CHIMNEY CHOIR

Chimney Choir combines folk harmonies, ambient electronics, and swirling textures of rhythm and melody into a style of music that is not easy to define. They began in 2011 with a guitar, banjo, mandolin, and suitcase drum and have since toured the country extensively, recorded and released five recordings, and developed layers of electronics, live looping, and percussion. They still remain fascinated with folk music and traditions while they constantly evolve and experiment - their performances often take on a theatrical quality that has incorporated puppetry, ritual, dance, storytelling, interactive video and even a sci-fi mini-drama. Chimney Choir has earned several consecutive nominations for Westword's 'Best Avante-Pop' band, and was awarded Best CD Release Show (Westword) for their four-part thematic album release of the critically acclaimed (compass) album in the summer of 2013. In collaboration with Denver's cutting edge ballet company, Wonderbound, they created the full-length ballet 'BOOMTOWN', which debuted in April 2015 to rave reviews and several encore performances. They are currently recording the (dream) album, funded by crowdsource fundraising and a grant from Colorado Creative Industries, set to be released in the spring of 2016. The album deepens Chimney Choir's ever-evolving remix-collage technique, combining acoustic and electronic instrumentation, sampling, and evocative vocal and string arrangements with theatrical songwriting, intricate percussion and ambient drones.

 

Jonathan Tyler with School of Rock

Jonathan Tyler with School of Rock

Levitt Pavilion Denver (map)

 LEVITT FREE CONCERT SERIES BROUGHT TO YOU BY 97.3 KBCO PRESENTS

JONATHAN TYLER
WITH
SCHOOL OF ROCK

Jonathan Tyler did the rock star thing.
He played Austin City Limits, Bonnaroo, Hangout Fest and the Voodoo Experience. His 2010

LP Pardon Me for Atlantic Records reached No. 8 on the Billboard Modern Rock chart. It was everything he thought he’d wanted. But it wasn’t really him.

“I knew what I was getting into,” Tyler says now, removed enough from that whirlwind to have gained some perspective on it. “I knew what would happen when we signed with Atlantic. Then I got over it.”

Holy Smokes, his newest LP, finds Tyler shed of major-label constraints, bearing his soul as songwriter who’s seen the top of the mountain and now seeks a different kind of climb.

“I’m in this for the long haul,” he says now with certainty -- and Holy Smokes, filled with songs that fill every emotional nook and cranny, plays out like a testament to this fact. 

 

SCHOOL OF ROCK

The School of Rock Denver House Band is comprised of the top students from School of Rock Denver, who have a reached a high level of musicianship and are selected to represent SOR Denver at events and shows throughout Colorado. The House Band brings a high­energy mix of popular classic and modern rock songs to a variety of public and private events and fundraisers. Past performances have included sets at Red Rocks, opening for the Blue Man Group at the Denver Performing Arts Complex, the Rocky Mountain Air Show, the Hard Rock Cafe Denver, Denver Comic Con and the KBPI Rock & Roll Car Show. For more information on School of Rock Denver and its unique music education for students from age 3 to adults, please visit Denver.SchoolOfRock.com! 

Humming House with Treehouse Sanctum

Humming House with Treehouse Sanctum

Levitt Pavilion Denver (map)

LEVITT FREE CONCERT SERIES PRESENTS  LEVITT FREE CONCERT SERIES BROUGHT TO YOU BY 97.3 KBCO PRESENTS

HUMMING HOUSE
WITH
TREEHOUSE SANCTUM

Humming House is a quintet that embodies modern day Nashville’s blend of edgy, independent artistry with its legacies of folk, soul, and bluegrass. Formed out of informal Irish music jams and the songwriting of Justin Wade Tam, the five musicians have worked together on a sound that balances passion and energy with thoughtful arrangements. They’ve played major festivals and prestige music venues. They’ve released two studio albums and one live recording since 2011, the latest being Revelries. 

 

TREEHOUSE SANCTUM

Treehouse Sanctum is an alternative folk rock band from Denver, CO. Fronted by duo, Sam & Danya Lynn and backed by Andrew (drums), Ben (Bass), Jeremy (lead guitar), & Dewayne (Trumpet); the band is an “Americana orchestra” creating an illuminating fused sound of folk rock soul.

The band’s newest release, Vivere, which means “to live” in Latin, was released 05/05/17.  Recorded at The Keep in Denver, CO, the album was co-produced by Grammy nominated engineer, Nick Sullivan and mastered by Grammy winner, Jonathan Russell in Nashville, TN.  Having recently shared the stage with: Mumford & Sons, The Flaming Lips, Dawes, Miner, Whiskey Shivers & The Dustbowl Revival; the band has been compared to: Needtobreathe, Lord Huron, Drive By Truckers & Of Monsters & Men.

The band’s name is a nod to childhood’s eternal creativity and wisdom.  Treehouse Sanctum songs possess intelligent, emotive lyrics covering heroism, love, hope and faith.  Driving groove-filled rhythms meet intricately layered instrumentation and harmonies to create a complex and dynamic sound.   These “vibrant & wounded” songs can be heard through the rough planks and weathered lines of Treehouse Sanctum’s latest creation, Vivere.

Mexican Independence Day Celebration with Ceci Bastida and more!

Mexican Independence Day Celebration with Ceci Bastida and more!

Levitt Pavilion Denver (map)

FIRSTBANK LATIN CONCERT SERIES BROUGHT TO YOU BY 95.7 THE PARTY PRESENTS

MEXICAN INDEPENDENCE DAY CELEBRATION
WITH
CECI BASTIDA
AND MORE!

Ceci Bastida was born and raised in Tijuana, Mexico where as a teenager she was a founding member of Mexican ska-punk pioneers Tijuana NO. After joining the band of Julieta Venegas as keyboardist and back-up singer, she went solo and has now released two critically acclaimed full length albums, Veo la Marea (featuring contributions by Diplo, Tim Armstrong, & Rye Rye) and La Edad de la Violencia (produced by XXXChange and Luke Top). Her song “Cuando Vulevas a Caer” was nominated for a Latin Grammy and her mix of beat and horn blasted songs with political and social commentaries on everything from immigration to the drug war has been featured on NPR, The Los Angeles Times, Rolling Stone Mexico, among others. Currently, she is also a member of Mexrrissey and is collaborating with South African musician/producer Spoek Mathambo. 

Katastro with Mouse Powell and Forgotten Roots

Katastro with Mouse Powell and Forgotten Roots

Levitt Pavilion Denver (map)

LEVITT FREE CONCERT SERIES BROUGHT TO YOU BY 97.3 KBCO PRESENTS

KATASTRO
MOUSE POWEll
AND
FORGOTTEN ROOTS

Doors: 4:00 PM

Barefoot: 5:00 PM - 5:30 PM

Forgotten Roots: 5:45 PM - 6:15 PM

Mouse Powell: 6:30 PM - 7:00 PM

KATASTRO: 7:30 PM - 8:45 PM

Katastro formed in 2007 in Tempe, Arizona by Andy Chaves (Vocalist) Andrew Stravers (Drummer) and Tanner Riccio (Guitarist). Later on Ryan Weddle (bassist) joined the band to complete the current lineup. Katastro gained a quick following by creatively blending elements of rock, funk, blues and hip hop. The release of No Mud No Lotus helped widen their fan base and has been their most successful album release to date. The album has received over 1.5 million plays and their hit single, Runaway has over 1,036,000 plays and 35,000 downloads on SoundCloud.

There is no sign of the band slowing down anytime soon as they recently signed with LAW Records, which is owned and operated by the members of the music group Pepper. Katastro just completed recording their new album, “Strange Nights” which was produced by Kaleo Wassman (Pepper) and Mike Sutherland and will be released September 30th. The first single off the new record is titled, “Waste The Night” and features Jared Watson of the Dirty Heads.

Katastro’s first release was their 2007 EP entitled, “The Wonderful Daze” and was followed by their 2008 release, “The Facts.” In 2009, Bob Hoag (The Ataris, The Format, Gin Blossoms) produced the EP “Poking Holes in A Pattern” and in 2011 released their 4th studio album “Gentle Predator.” Katastro’s most recent release was their 2014 album “No Mud, No Lotus” which features their highly acclaimed song, “Runaway.” Katastro’s new album, “Strange Nights” will be available for pre sale on August 1st and the single, “Waste the Night” will be available upon purchase of the pre sale. Katastro will also be releasing more tour dates in the near future, stay updated by visiting Katastro.com. 

 

MOUSE POWELL

Mouse Powell is the world’s most reluctant rapper. Mouse Powell loves dogs, and has been making music accordingly since 2011. His debut album “Where It’s Cloudy” surely pleased some people, but his follow up album “These Are The Good Times” was at least twice as effective. After taking a blood oath with Tempe based producer, The Ref, the duo have been making genre bending and life altering music ever since. As the two gear up to release another project they will continue their award winning formula of whiskey and friendship to bring the world an album that truly reflects their life long commitment to reluctantly being awesome. Mouse Powell is for you. Mouse Powell is you. Mouse Powell.

 

FORGOTTEN ROOTS

Forgotten Roots Is a brand new Dub / Reggae Rock band based in Northern Colorado and Denver. Made of 4 members, joining from different bands around the country, include Tim Fierro (Guitar) John Buttitta (Keyboard), Matt Pintauro (Drums) and Karl Robison (Bass Guitar). Weve Recently shared the stage with up and coming bands Pacific Dub, and Project 432, with more to come! Our sound incorporates new and old reggae rock concepts, deep drum and bass drops, plus spacey guitar and piano rhythm. We are currently working to refine our sound through recording A studio EP.

SHEL with Megan Burtt

SHEL with Megan Burtt

Levitt Pavilion Denver (map)

LEVITT FREE CONCERT SERIES PRESENTSLEVITT FREE CONCERT SERIES BROUGHT TO YOU BY 97.3 KBCO PRESENTS

SHEL
WITH
MEGAN BURTT

The billowing curtains of sound on Just Crazy Enough, the second full length album from virtuoso indie-folk band SHEL, will be both familiar and far-out to fans of the exciting sister quartet. The classically inspired mandolin, violin and piano are there, along with the band’s glowing vocal harmonies. But we also hear dense, ethereal textures that hover between the digital and the analog. Grooves are deeper, emboldened with electronic ambience and beat-boxing. The overall effect sheds light on their broad collection of influences, from the daring rock bands of the 60s to the contemplative composers of the 18th Century, and even the waves of modern electronica. Because or in spite of this effervescent mashup, Just Crazy Enough is a masterful move for SHEL. It’s the integral, front-to-back album statement the band has been preparing to make since they began making music.

Dynamic change and self-searching was inevitably going to be a big part of SHEL’s story in these early career years. Sisters Eva, Hannah, Sarah and Liza Holbrook are, after all, twenty-something women, born in a five-year span and raised in a bohemian, art-loving family in Fort Collins, CO. Each found an instrument to master early on, studying classical music while composing and arranging unique works for their anomalous instrumentation, violin, mandolin, piano and drums. They gained performing experience working with their songwriter father, and soon had festival promoters and media figures championing their fresh, intricately drawn sound.

SHEL is now touring and creating relentlessly in the hothouse environment of the 21st century music business. "We've always made our living playing music,' says Sarah Holbrook, "I dropped out of two different colleges, before it finally sank in that I was supposed to be playing music with my sisters full time. We signed with Republic Records early on, but escaped the 'artist protection program’ and we’re prouder than ever to be waving our indie banner."

They are united in their musical vision, yet doggedly possessive and respectful of their evolving individual identities, including the growing pains and struggles of young adulthood. “I remember having a distinct realization that we'd finally grown up, followed by the terrifying thought that we had more questions than answers about life.” Says Eva Holbrook about writing the album. “Sharing these songs has shown us we're not alone.”

SHEL music is many things sonically, but its coherence and distinctiveness comes from the sisters’ commitment to making every song an honest four-way collaboration. That said, every artist profits from outside perspective, and circumstances aligned in recent years to work with Eurythmics co-founder and world-renowned electronic music creator Dave Stewart, whose production credits include albums with Stevie Nicks, Joss Stone and Ringo Starr. SHEL arranged and recorded tracks in Nashville with long-time producer Brent Maher. Then Stewart, in his Los Angeles studio, sculpted sounds and beats to complement each track. The mandate was to uphold the soul of the songs, the acoustic musicality of the sisters as players, the subtlety of Eva’s lead vocals and the colors of the four-way harmonies.  

The other priority for Just Crazy Enough was to capture the intensity of SHEL’s live performance. The answer lay in fully mining the sisters’ wide-ranging talents. Hannah Holbrook says, “We were all instrumentalists long before we learned to sing, and telling a story through melody and arrangement is the part of our work that we bond over most.” 

Opener “Is The Doctor In Today” begins quiet with reflective lyrics, but swells with emotion and harmonies as a theme of searching is established. Liza’s drumming and percussion throughout the record is exciting and creative, from the irresistible groove in “You Could Be My Baby,” to her expert beat boxing on “Rooftop.” Hannah plays a hooky Moog synthesizer in “Let Me Do,” which glides around Eva’s voice with an organic inevitability. And after covering Zeppelin on their debut, SHEL risks sacrilege against the Rock Gods once again with their version of Metallica’s “Enter Sandman,” a 180 degree flip on the original, with whispered vocals and almost churchlike solemnity. Near the end of the album comes the unexpectedly vigorous and marching “Moonshine Hill,” featuring a shot of Sarah’s lively fiddle in a slice of pop music heaven. The album wraps with “Stronger Than My Fears,” which grows from intimate folk to unearthly beauty, evoking a heath on the Irish coast or the moon of a nearby planet.

The group’s passion for art of all kinds and irrepressible creativity has been central to their inventive music videos. All contribute to the engaging productions. “We're living our art every day” says Eva Holbrook, “turning our rooms into staging studios, filming on rooftops in Amsterdam, moving pianos into a river. But Sarah is the key to all of it. Her ability as a director, videographer and editor conveys our collective vision.”

Conspicuous in those visuals is an evolved esthetic that transforms thrift store fashion finds into an Alice-In-Wonderland British romanticism. The title of a workshop they offer on the road, “I’m A Weirdo…Are You a Weirdo Too?” tells you some of what you need to know about their self-awareness in a world of mass consumerism. SHEL’s album art features the band with and without makeup -- an expression of their views on individuality and natural beauty. “We love to wear makeup for fun,” says Liza Holbrook. “But we don't believe that makeup or expensive clothing are the things that make a woman beautiful."

In a new music scene that’s crowded, genre-twisting and attuned to mastery in live performance, SHEL is a must-know young band for anyone who wants to keep up with tomorrow’s greats. Their spellbinding live performances tap deep skills as instrumentalists and total trust to generate improbable power on stage. They share some contemporary musical DNA with Americana bands, Punch Brothers and Crooked Still, but just as surely with adventuresome artists such as tUnE-yArDs, St. Vincent and Alt-J.  The future belongs to artists who go beyond mere genre blending by focusing on their inner music and the four powerful personalities of SHEL do just that.

 

MEGAN BURTT

“I’m not really a pop singer,” Megan Burtt says. “I just want to make music that’s accessible, while still being true to myself. When I started writing songs, I didn’t know the shapes the fingers were supposed to make on the guitar, so I made up my own chords. I think that’s why I have a unique way of hearing and composing.”
The music on The Bargain is bright and uplifting and, while it does have the inviting sheen of pop, Burtt’s distinctive melodies, poignant, soul-searching vocals and profoundly insightful lyrics deliver a message informed by sorrow and uncertainty. A few years back, Burtt fell prey to a potentially life threatening condition, but her faith in the healing power of music and her determination to become a performing artist brought her out of the shadows.

“These songs are about my struggle to recover my health,” she explains. “The word ‘bargain’ is provocative because we’re constantly bargaining, deciding how and when we should show up in our lives. Every day, decision, connection and relationship feels like an exchange of something for something else, things we may not be aware of until we’re dancing with mortality.”

That dance is the subtext of the music on The Bargain. Louis Cato (Bobby McFerrin, Marcus Miller, Snarky Puppy, Mariah Carey) a talented multi-instrumentalist, and long time member of Burtt’s backing band, produced the album, creating perfect settings for her gently passionate vocals.

The Bargain opens with the confident anthem “Ain’t Seen Nothing Yet.” Adam Tressler’s stirring guitar and propulsive bass line support Burtt’s stacked harmonies and a vocal that’s delicately balanced between vulnerability and self-assurance. Drummer James Williams provides a funky New Orleans flavored back beat for “Real Thing,” a song that portrays the struggle between the pull of carnal desire and the need for spiritual release. “I’m asking if it’s possible to love if you’re not letting people see the real you,” Burtt explains.

Tressler’s icy slide guitar and Williams’ tom toms lay down a sultry, swampy groove for “It’s My Time.” The ominous bluesy tune is full of subtle twists and turns that keep the tension high as Burtt’s unsettling, behind the beat vocal conjures up love’s redemptive force, even as she caresses the void at the edge of the grave. The title track locks into a four-on-the-floor rhythm with Cato’s spacey, stuttering keyboard pulse and distorted guitar fills giving the music a propulsive drive. Burtt’s defiant vocal conjures the picture of a woman rising from the ashes triumphant.

Cato and Burtt crafted the arrangements on The Bargain with a fine ear for sonic nuance and melodic detail. Their refined blend of rock, funk, jazz and blues pulls the music into interesting shapes, full of unexpected delights, songs that are accessible, while remaining true to Burtt’s inimitable lyrical vision.

Megan Burtt was born and bred in Denver, CO.  “I’ve always written songs,” she says. “I took piano lessons when I was young, but when I picked up my dad’s old classical guitar, things took off.”  Inspired by Joni Mitchell’s Blue, Burtt taught herself to play, dreaming of a musical career. “I didn’t know any girls who played music, but Blue, Bonnie Raitt’s Nick of Time and the women on the MTV videos I saw, let me know it was possible.”

After high school, she moved to Boston to attend the Berklee School of Music. There she made two EPs she calls her “practice records.” “As soon as I met other musicians, I put together a band and started playing. We took every gig we could get. I loved being on stage with such talented players. It developed my ear, made my guitar playing more solid and made me a confident bandleader and performer.”

When she graduated from Berklee, Burtt moved to Mississippi to investigate the roots of American blues music. While there, she contracted a potentially fatal disease, but she never stopped singing or performing, and eventually found her way to full recovery. She played music in Vietnam for a couple of months, then returned to the States to record It Ain’t Love, a 12 song collection she made with the friends that still make up the backbone of her recording band– Louis Cato, guitarist Adam Tressler and James Williams. One of the songs on the album, “Waiting for June,” won Best Song at the 2010 Rocky Mountain Folk Festival and the 2011 Kerrville New Folk Competition.

In 2013, Burtt began writing and preproduction on the songs that would become The Bargain and continued annual holiday tours of the Pennsylvania prison system with her band. “The maximum security inmates we play for are some of my favorite audiences. It’s incredible to perform for people who are truly grateful you’re there.”
After two years of careful production, The Bargain arrives to show off Cato’s creative production and Burtt’s bold vocals. “It’s more honest and evolved than my first album,” Burtt says. “I’m beyond excited to start sharing these songs with my fans. I’m tying a bow around this album, knowing that I put everything I had to give into it.”

Dragondeer and Strange Americans

Dragondeer and Strange Americans

Levitt Pavilion Denver (map)

BONFILS BLOOD CENTER COLORADO CONCERT SERIES BROUGHT TO YOU BY 93.3 DENVER'S MODERN ROCK PRESENTS

DRAGONDEER
CO-HEADLINE WITH
STRANGE AMERICANS

Dragondeer is a psych-blues band from Denver, Colorado whose singular, reverb drenched take on old school blues and soul coupled with inspired improvisation has the band making fans in roots circles as well as indie clubs across Colorado and beyond.

Dragondeer recently recorded with producer Mark Howard (Bob Dylan, Willie Nelson, Tom Waits, Anders Osborne) in California's storied Topanga Canyon and will be releasing music from those sessions throughout 2017.   

Dragondeer has shared the stage with Shakey Graves, Drive By Truckers, Futurebirds, The Entrance Band, The Bright Light Social Hour, Hot Buttered Rum,  Murder City Devils, Anders Osborne, Jerry Joseph, Sonny Landreth, J Roddy Walston, Linda Perhacs, Jarekus Singleton, Leon Russell, Steel Pulse, and Wovenhand + 

The band has performed all over the United States and abroad with performance slots at festivals including: Telluride Blues & Brews Festival, Nacarubi Music Festival in Big Sur, California, Tour De Fat, South Park Music Festival, SXSW 2014-2015, The Denver Post Underground Music Showcase (The UMS),  Jazz Aspen Snowmass Festival, T-Bois Blues Festival in Louisiana, Arise Music Festival, The 24th Annual Grolsch Blues Festival in Schöppingen, Germany, and an appearance at the legendary Red Rocks Amphitheater.  

"Dragondeer is great for day drinking and fishing next to the swamp while gators sunbathe near you and your ex-boyfriend is blowing up your phone with angry texts you’re ignoring in between pulls of whiskey. It’s music for wandering down South Broadway in the summer, sticky with sweat, searching for the nearest party. Really, though, it’s bluesy and forceful, and you’ll wonder why you don’t have Dragondeer in heavy rotation after hearing Eric Halborg’s vocal chops." 
-Westword

"Dragondeer delve into some swampy blues and reverb-drenched psych folk. You don't want to miss Dragondeer's cosmic blues"
- Westword

"Nestled somewhere between the quicksilver psychedelia of the '60s and bone-thumpin' blues from Mississippi's yesteryear, these Colorado cats have crafted a sound that is equal parts cosmic and grooving"
- Break Thru Radio

"To close the festival, the psychedelic blues band Dragondeer from Denver. For them also the first time in Europe and what a discovery. They have completely their own style that alternates between symphonic rockblues and psychedelics. Fantastic!! They turn the music into sound pictures, atmospheric, catchy. Very, very original. Casey Sidwell, bassist plays and grooved as if his life depends on it, he sends his bass lines to the whole band. Singer Eric Halborg has a beautiful voice and plays particularly well on the harmonica. This instrument has an important role, but does not dominate. Cole Rudy gets the most strange sounds from his electric mandolin and lap steel, plaintive and sometimes screaming. Although they occur at the end and many festival goers are tired (the festival began at 14:00), they keep everyone who hears them there till the very end. One of the most surprising bands of the entire festival. Hats off !!  
- Netherlands based BluesMagazine review of the May 2015 performance at Germany's 24th Annual Grolsch Blues Festival

"This record has a great old-school feel!"
- David Gans  (Musician and 30 year host of the nationally syndicated radio show The Grateful Dead Hour and co-host of Sirius-XM's Grateful Dead Channel "Tales from the Golden Road")

"Modern-edged bluesmen a la Jack White and Black Keys, this Denver-based quartet aren't interested in retreading the past; they put their own psych-folk stamp on it. "Don't That Feel Good" is a folk-blues outing with cool percussion choices that sound like spoons, shells, and tin cans. A cover of "Messin' With the Kid" spreads some psych-rock wah-pedal sauce, gobs of lead-vocal reverb and a dizzying guitar solo for a song that'd suit a Guy Ritchie trailer. "Castaway," with its husky vocal, convincingly channels a midnight hobo-camp intimacy. An excellent addition to any festival right now, it'll be interesting to see how Dragondeer builds upon its alternative "shot 'n beer (with a hit o' acid)" vision."
- Music Connection Magazine

“Don’t That Feel Good” intoxicates with reverbs that transport the listener to a funky, psychedelic bayou wonderland. The five songs overflow with a remarkable storyteller’s ability to draw a listener in, completely enraptured by the momentum of an energetic blues style."
- Telluride Daily Planet

 

STRANGE AMERICANS

It’s the kind of music that the Carhartt-wearing, hard-working, industrial beer-drinking, regular Americans would listen to — the ones who could end up on an episode of TV’s Dirty Jobs. It’s a little raw, a bit loud, unapologetic and honest. It’s Americana rock and roll and it’s something that Denver’s Strange Americans are crafting with both brawn and finesse, like a hot rod mechanic bringing back an old barn find.

In a sense, Strange Americans are rescuing something from the rust pile — straight-forward, no frills rock and roll, and a matching aesthetic that is heavy on songwriting and storytelling, but presented with reverb-drenched punch and passion — the way The Band or Crazy Horse would have done it.

Strange Americans have two full length records, Royal Battle (2012), and That Kind of Luster (2014), along with the 7″ Vinyl Places (2015).  Borrow You, Brother is the next full length album expected in the near future and recorded with Echo Lab engineer and producer Matt Pence (Centro-matic, Justin Townes Earle).